The Road Movie Review
The Road, is a movie that started as a novel in 2006 by an American writer Cormac McCarthy. The novel won the 2007 Pulitzer Prize award for Fiction. The film by the same name The Road was directed by John Hillcoat and written by Joe Penhall. The film stars Viggo Mortensen as the Man \ father and Kodi Smit-McPhee as the Boy \ son, a father and son surviving in a post-apocalyptic 2012 doomsday wasteland. Along the way, they encounter grave struggles and hardships avoiding bands of cannibals along the road. The 2012 doomsday apocalyptic event is showing the beginning of the next ice age and destruction of the northern grain belts outlined in the H2onE2 and H3onE3 books.
Within the movie common themes can be drawn between “The Road” and many other 2012 doomsday type movies, like the Pandorum movie. To truly understand this film and its deep suggestive 2012 doomsday material an understanding of the Greek Gods and Hesiod’s Theogony is a must. It is suggested that you read my write up on the Pandorum movie review first and better yet the H3onE3 book posted free online.
The first suggestive material worth mentioning is the earth quakes. The earth quakes are a verbal representation of thunder, noting the presence and work of Zeus. From Theogony Zeus the high god holds the understanding of earth’s environment and is empowered for one reason, he controls earth’s most powerful energy source, lightning and thunder. Because Zeus could control lightning he has conquered all the lesser gods in heaven. Also in Theogony it is documented that Zeus plans on destroying the current age of this population, “the Iron Age” like he destroyed all the previous ages of humanity. In the Road Cormac McCarthy is both describing, perpetuating and foretelling the destruction of earth’s current population; utilizing movie media to continue the biblical prophecy.
The biblical prophecy is important to understanding the movie the Road, it actually has a lineage that started with classical Greek mythology, and was modernized by the later Greeks with the creation of the Old Testament. This gave the classical Greek gods a more modern earthly presence. The Romans, seeing what the dyeing Greek Empire had crafted, created and promoted the works of the New Testament, designed to sacrifice the future king, Oedipus prophecy and riddle hidden in the Old Testament. The War of Religion was not over yet, because the last Greek cultural strong hold had one last card to play. John of Patmos fashioned Revelations as the final capstone of all the previous works and prophecies, which in short dooms mankind at the death of future Prometheus also known as Oedipus. Humanity is required by the prophecy to find and empower this none mythical character or they will become cannibals and on the Road of their own destruction.
When the suggestive thunder appears in the movie it is followed by an interaction with cannibals, future man. Here the movie director John Hillcoat is suggesting that Zeus has forced the environmental disaster and here the thunder / earth quake is confirming his work. One of the thunder scenes, one that includes cannibals occurs when the young mother and child are killed by the large gang of hungry cannibals. This event is soon followed by a church scene where a painting of the Holy Grail at a Last Supper is shown. Here the movie director and writer is hinting that the Greek gods and their 2012 doomsday prophecy has been evolved into Linear Western Religion, both the Old and New Testaments. And, that the last supper and the offering of a body and blood sacrifice is in fact a cannibalistic act. This scene is telling the aware and educated members of the audience that the prophecy of the Greeks is the same prophecies in Christianity and they both end on the same road, The Road.
The second most important element in the movie pertains to the reference of Fire. In the mention of fire, here the movie takes on elements of the classical Greek story of Prometheus, who stool fire for the betterment of mankind. The boy turns out to represent a modern variation of Prometheus when his father epitomizes all of the Greek God Pathogen, in many different scenes. In the movie scene where the Man \ father swims through frigid rough water to search a partially sunken fishing boat offshore, he takes on the powers of Poseidon. The scenes where the two characters take refuge in caves the father takes on the reference of the god Hade; god of hell and the underworld. When the father picks his son up and runs from the cannibals he represents the Greek God Nike and when he is armed with an axe he represents Hephaestus, the Greek god of the Forge. Many scenes reflect back to the Man’s wife who is a representation of Aphrodite, the Greek Goddess of Love. His wife’s death is never shown for one reason alone, because you cannot kill a god, at least not in the realm of myth and science fiction.
The story well outlines the two primary characters from the H3onE3 book; H3one3 Universal Facilitator, Universal Sacrifice and Holy Pi. The two hidden and prophesied characters in all media aka (music, literature, plays and movies) are both shown as Homeric Heroes and sometimes Sacrifices. It could be said that there is no Zeus or UF without a Prometheus a US, as in the understanding that a classical comedy plays against and with the understanding of a tragedy and vice versa. The two primary characters uncovered in the H3onE3 work are divine figures, mixed and blended in all Homeric media as a mechanism of population control. In the Road the Man represents the Universal Facilitator and the boy the Universal Sacrifice.
The Road references to fire as being in the hart, maybe the hart of humanity and being human and humane, when in contrast the opposing group, the cannibals are suggested as more animal; solely thinking of themselves. The mission of the boy and man turns out to be a mission of humanity, to carry the fire to the coast, symbolized in the Statue of Liberty in New York Harbor.
An interesting character appears in the movie called Eli or Ely played by, I believe an artificially aged Robert Duvall. Eli is a Hebrew name, which means High Priest and last of the Judges. (1 Samuel chapters 1-4) Eli served as the judge and high priest of Israel when The Ark Of The Covenant, contained the Ten Commandments. Although Eli was a good and righteous servant of God, he was unwilling to remove his “two” (UF and US) corrupt sons from the priesthood and this brought about his doom.
When the US and UF meet Eli an interesting geological formation is shown in the background. Clearly this geological rock formation demonstrates three erosional layers showing natures ability to end civilization but also the ages of man already ended by Zeus. Eli calls the US an angel and then later on, even more interesting a god. Here the writer is playing both sides of the coin with an angel reference catering to Christianity and as a god respecting the original, evolved Greek pathogen. It is when Eli refuses to talk about his own child where his real identity is uncovered. Eli turns out to represent of a high god either Coronus or Zeus himself. Eli’s refusal to talk about his own child, this is the key to uncovering him as the high god, both Coronus and Zeus in Theogony are noted for eating their children. It is possible here the writer is suggesting that Eli representing Zeus destroys himself when he ends the Iron Age.
The Man the UF carries binoculars near his hart, this is because he has the ability to see the future and at his death the binoculars are taken or even passed on to his son the US. The binoculars are a metaphor to the ROAD humanity is on and being able to seeing the future, the end of the Iron Age. The prophecy will be forced upon humanity as a Revelation. Many references in the movie regurgitate a need to stay off the road, meaning that humanity survives by not continuing down the road, the same road, the road humanity is on.
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