2012 Movie review Abu Ghraib Black Puppet Man

•July 3, 2010 • 4 Comments

Author B Billy Mars – Professional Geologist

Writer of the H2onE2 and H3onE3 works

Now the movie 2012 is stupid, with typical creationist plot that can only be described as unbearable at best. The animation on the other hand is rather amazing. The only reason this film forced a review is the one extremely interesting image of the Abu Ghraib Black Puppet Man, which appears along with a racially subversive plot, profile both existing as dark and suggestive. As far as the Black Puppet Man image goes, it undeniably demands an intellectual exploration. In fact the topic is so explosive to not write on the subject is to deny any deep understanding.

This will be a race neutral examination, as a group or flock there is no superior, intellectually, civil or brutal race. Some races have more recently, within generations moved out of a Caveman / Stone Age existence, which means certain groups, will suffer from alcohol problems due to recent cultural exposure to fire water but that is about it. I don’t think any group is any more violent at any other group, they are all equally peaceful and sadistic.

Let’s get this nice, clear and straight, I personally do not feel attached to any specific racial group, in contrary I would feel proud to not be attached to any specific group of physical features or colors. For me this is a primitive concept, but I am not willing to tattoo my body green or blue, yet; not yet. All racial groups appear as stupid puppets each willing to sell out the other, their own, you, me, whatever. Oddly enough the people selling out their own race seem to also maintain strong visual, cultural, emotional and spiritual ties; must be a uniquely outlandish human trait.

Now we have set the frame work we can openly talk about this Abu Ghraib Black Puppet Man that makes its appearance in the 2012 movie. Black Puppet man seems almost to be placed there by Charles Manson himself as part of his Helter Skelter prophecy. If a connection can be made between the 2012 movie and the Abu Ghraib torture pictures, raising like cream up a chain of command, to a single figure their diagnosis would be described as the top of the 10 most bizarre mental disorders, with cannibal tendencies.


The Abu Ghraib Black Puppet Man image shows up in the 2012 movie in a scene that takes place in the President’s office. In the movie the President is played by Danny Glover, a man of African American decent. So here brings into question, does the Abu Ghraib picture foretell a future black president who then sells out humanity, as a puppet to the ruling class.  This is really juicy stuff to write about and it does appear Danny Glover is clearing representing Barack Obama, the very man prophesied in the Abu Ghraib Black Puppet Man image. Although the science in the movie is nonsense we should question if we are looking into the suggestion of a very real escape plan, different conditions. This plan devised by the ruling elite must be in the hope of avoiding any justice from centuries of war, strife and repeated racial conflicts designed to maintain their rule.

Movies are organized by a collection of shots, let’s say something like 300 shots would make one movie. The Abu Ghraib Black Puppet Man image shows up in multiple shots, so its importance is rather significant to revealing its meaning. The Puppet man first appears on the President’s desk during a meeting with the actor Chiwetel Ejiofor and Oliver Platt.

During the series of shots the Abu Ghraib Black Puppet Man almost seems to move as though the image was first placed near Danny Glover and than re-located behind Oliver Platt.

It even makes a third appearance when the President’s daughter played by Thandie Newton enters the room. So this little evil thing is so distinctive and cannot be missed or denied; it is there and it means something important.

For all we know the Abu Ghraib pictures could have been “not” created by the military at all but by a Holywood photographer. I mean nothing gets out of a military prison, unless it is politically designed to be released at a conscious level, don’t feed me bullshit. In the media there are other images of people who have worn a black pointed hat and they are not good ones.

The black pointy hat appears in most hostage images almost as a universal costume, a generic Mickey Mouse of doom.  This black hat is a cultural historical icon worn by either the hostage/captives/victim or by their guard/hangman.

It is hard to say if the Abu Ghraib Black Puppet Man image is referring to Barack Obama as the victim or the hangman, or maybe even both. Like I said, you cannot pass writing on this nasty topic.

Now the 2012 movie has these strong racial overtones built into the racially divided character groups, their social class position and projected profile. So let’s explore the ruling class race reversal in the 2012 end of days Noah’s ark type movie. All positions typically expected by Holywood to be filled by one race is filled by another.

Now I do not want to be considered as stereotyping groups, I will only be stereotyping Holywoods and their typical reference of these racial groups. I did find one thing appealing about Barack Obama and that was this large elderly group of black Americans, whom clearly suffered immensely under racial suppression during the 1960’s now felt like they really belonged as citizens.

The truth being much different than the iconic imagery. No, Barack Obama is no icon but a Freemason / Prince Hall I believe, selling out humanity along with his own race, my race, your race, so an enemy of the state, of civilization, decency and a puppet for the ruling elite. So the pointed puppet hat and the Freemason pyramid and eye symbol can easily be connected.

This will surely bring in negative responses, division and stereotypical primitive resentment but the story needs to be described as it is represented, not in any idealistic cultural image you have visually constructive in your meatball of a mind. We will move beyond primitive and evolve emotionally; not possible for most. Then again I do not write for the majority, cause they are pretty stupid. This is an intellectual exploration for a minority whatever color, race or god you also don’t identify with.

The 2012 movie revolves around four important characters two black and two white. On the dark side of the moon you have Danney Glover as the President and Chiwetel Ejiofor as a geologist. It is almost funny being a geologist myself, how few black geologist there are, not sure why it is just that way in real life. Tons from the middle east and India but Africa seems to always be pillaged for its resources, so maybe Black geologists would just be an ass pain for the ruling elite.

Living in harmony or not so much are the two main white characters or Horseman John Cusack and Woody Harrelson. So in this twist or final destination the two main black characters represent the controlling factions of society, well on their way to selling out humanity, their own race and even their own family if need be.  The two white characters although not heroes in the comic book sense work to uncover the dark plot hidden by the two black protagonists.

In an indirect contradiction, here in the 2012 story the black characters are represented as calm, cool and collected when the white characters are servants as in John Cusack job as a limo driver. Woody Harrelson the other white character is profiled as a raging lunatic on the fringe of nonsense or a biblical discovery.

The social standing of the white characters is pretty bad, nut ball Woody Harrelson lives off pickles and beer. In all sense Woody Harrelson represents a homeless person living out of a substandard, broken RV, whom is unclean, disheveled and mentally disorganized. Now John Cusack is imaging a character who has lost everything, a wife, his son emotionally, a home and in all value a life. John Cusack is dead to the world of the living or we could say happily living. Am, I the only one who notices these things or everyone is just deaf, dumb and blind?

Well with Woody Harrelson, his characters aversion to pickles does not go un-noticed but seems to perhaps reference the Arlo Guthrie song The Motorcycle Song and the Significance of the Pickle. When both Woody Harrelson and John Cusack unmistakably symbolize a rebel writer and a confuted dreamer, which combine in the end, too late for humanity.

Lets finish this up with the strange uncomfortable period in the movie when President Danny Glove makes this conscious decision to go down with the ship, I mean literally it like falls on his frickin head. At this part of the movie it is rather disturbing because it is well noted that President Danny Glove has spent time and energy keeping humanity from finding out there doom, now slides into this inspirational movement as a captain going down with his ship. Clearly his plan was much different for the last few years, something about short term memory loss, and this just being too stupid to sit through.   The unsettling subject matter is that first the president sells out humanity and are even connected to murders of those morally prepared to spill the beans now decides to join their doom. Did you buy into any of that nonsense or what?

No, I think the movie is revealing that the captian/hangman/captive, Black Pointed hat man will be provided with no choice but to go down with the ship and suffer the consequences of his past actions. This seems to signify “bad juju” and the curse of the black pointed hat puppet man. In conclusion the movie 2012 predicts the life, path and death of Barack Obama for told by the Giant pyramid eye god and he can make some shit happen.

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The Book of Eli Movie Review

•January 16, 2010 • Leave a Comment

The Book of Eli was sort of a disappointment in the sense that it did not clearly follow the classical lineage, evolution and modernization of the non-canonical biblical Book of Enoch; as so many classical works before have. Although many elements can be shared between the classical gothic and modern interpretations of the Book of Enoch story, the Book of Eli movie failed to clearly produce the three different settings those being Hell, Purgatory and Paradise. It could be said that the ending of the Book of Eli represented the last two settings but it failed to elaborate on them as the great works have.

Before I begin to mention the important Homeric elements in the Book of Eli movie, I should talk a bit of what I was expecting to find and how the Enoch work has evolved and been modernized by the literary community. Now, I have only read about 15% of Enoch, seeing I have better things to do with my life and don’t give a rat’s ass for prophetic writing. Let us say I read enough of the Enoch work to determine that the Enoch work was later re-interpreted as Dante Alighieri’s fourteenth-century epic poem the Divine Comedy. The Divine Comedy clearly outlines three different settings where by the Homeric main character moves through the Inferno (Italian for “Hell”) is the first scene /region followed by Purgatorio and later Paradiso.

Clockwork Orange a book by novelist Anthony Burgess modernly brings the same protagonist as Enoch and Dante, now called Alex Delarge through three different atmospheres an Inferno, a Purgatorio and form of Paradiso. What of course is Paradiso to fine little Alex, might be hell to others and the real truth behind the Clockwork Orange story is it ticks and tocks backwards. So, the end of Clockwork Orange is really the beginning. Alex starts his life as a smart gifted school boy and is produced into a vicious dark character. In the Clockwork Orange story socially conditioning gives rise to Alex’s mean and brutal ways. This needs to be re-enforced in order to be able to interpret and make a strong comparison to the Book of Eli.

In Clockwork Orange the people whom control or empower society, the elitists / writers / educators / media are given a choice, they can have the nice educated, refined and well cultured little Alex or the vile and wicket Droogie. It is no surprise that the controllers of society will create a Droogie, a bad Alex and so this is likewise well represented in Eli’s character. The controllers will get to choose between an educated and refined Eli or a big bad Eli. Death is always the final outcome when the choice is made to create a bad Eli or bad Alex for that matter; the sly sneaky cat will eventually be eaten by the dog or underdog.

The Cat

Now, I did not find the reversal or backward moving theme in the Book of Eli movie as demonstrated in Clockwork Orange but many regurgitated elements from Clockwork, Dante’s Divine Comedy and Greek theology were more than demonstrated. The Book of Eli is a hodgepodge of regurgitated Homeric elements. Attempting to understand them all, you will have to read the H3onE3, Universal Facilitator, Universal Sacrifice and Holy Pi book.

The Book of Eli

So who is Eli? Well the beginning of the movie gives Eli away as being both a Promethan type character and the White Horseman of the Apocalypse with the possession of the bow and arrows. In the same scene we find Eli also represents a dog in the act of killing and eating the hairless cat. Eli is not just any old dog of war but an impotent beast of literary creation. Later the dog / cat theme is re-enforced when a cat hisses at Eli in the townie bar scene. In the bar setting, the cat attempts to keep the dog, Eli from his water bowl. In the Book of Eli, Denzel Washington takes on the role of the Greek god Cerberus.

Hades cerberus

Cerberus in Greek and Roman mythology, was a three-headed hound, which guards the gates of Hades “hell”, to prevent those who have crossed the river Styx from ever escaping the underworld. One might ask why does Cerberus have three heads and what is the greater meaning, and does this meaning show up in the Book of Eli? Cerberus’s three heads represents one as the greatest writer but he cannot spell or perform formational grammar, the other head represents the greatest musical composer that is tonally made to be deaf and the third head is the greatest artist that sees no beauty in this world and has no passion.

The three headed talent, an artist, writer and composer, all at the highest level is rarely seen in any human and would have been greatly admired by the Classical Greeks and feared by the Romans. This must represent a talent that is holy and as such, someone touched by the gods. A three headed artist who is naturally gifted, but these gifts have been removed, so he could not perform them at the highest level would reside in his own hell. To the Greeks, Cerberus’s guards the gates of hell to keep people whom wasted their talents during life from leaving. In fact this person would be dead to the real world and Eli is well represented throughout the movie as being beyond life. A grim reaper of sorts.

Perseus Signoria Statue

When the Greeks Homerically represented Prometheus in the Greek Theology and evolved him into the Old Testament with the talent of being the greatest writer, artist and composer the Romans produced the New Testament, which prophesied and forced the removal of his three drama talents. In the movie the Book of Eli, Denzel Washington is representing someone whose three headed talent has been forcible removed by the gods, as such he is trapped on a mission.

Are there other important clues which further distinguish Eli as being Cerberus the guard dog of the underworld / hell and the answer is yes? Eli represents someone who is blind and in the last scene his one eye is clearly shown to have a severe diagnosis of cataracts. Living in the darkness of hell would require no sight and you would eventually become blind. This also explains why Eli walks into the “shadows and valleys of darkness” to fight and kill. In the shadows Eli is un-matched in the ability to smell evil, as a hound and here is where he takes life. In the sun light Eli appears to be nice, polite, even weak but when the shadows of darkness are cast over the scene Eli comes alive, full of furor. The shadow is not cast by him, but those who chose to bring out the shadow of darkness. Here they face certain death in the hands of Eli, the Greek god Cerberus.

In Clockwork Orange when Alex is in the cave, “the tunnel” he is strong, invincible and brutal but outside weak, emaciated and a normal human. Reminding you that the Clockwork Orange story clicks backwards, the vicious beating given to the old man in the tunnel can be explained, along with the murder and rape scenes. See, Alex was attacked first, the old filthy drunkard first assaulted little Alex and the beating is rewarded in return; because everyone gets hell in this story, or let us say prophecy.

Another element that distinguished Eli as Cerberus is, he often seeks refuge in a cave or dark places absent of sun light, their he finds food, friends and water. One of the more interesting elements in the Book of Eli is represented in a cave like scene, in fact a silo of some sort. The fascinating object is found in the eagle, Eli’s supper, which he shot and killed earlier with an arrow. Well in the cave, in the darkness and in hell the eagle now appears, cooking over the fire, as a long necked demon; like a dragon. Over the fire the eagle now appears, in its true light, as a demon trying to escape the fire, but no one escapes the fire, hell or Cerberus. Eli turns out to also subsist as a demon killer and who carries, wears or adorns an eagle symbol is a repressive demon. I could go on endlessly on this topic but must move on.

The leader of the town of ghastly people is called Carnegie, he mostlikely represents both institutional education system, “such as Carnegie Mellon University” and the Robber baron (industrialist) himself Andrew Carnegie. Andrew Carnegie was the king of steel, owner and founder of the Carnegie Steel Company, later called U.S. Steel. In the story of Greek creation Zeus plans on destroying the future Iron Age and here Carnegie is shown as completely destroyed, but seeks ruthlessly to re-acquire his wealth and to do so he needs the power of the sacrificial book; the Holy Bible. The Holy Bible for the first time in any media is represented as the true source that empowers the wealthy to enslave the lower, uneducated class. Carnegie suggests that there are two ways to en-slave the un-educated population one is through brutality and physical sacrifice, or his favorite method in the form of metaphysical, literary sacrifice; those found in stories, like Jesus, Prometheus ext.

Carnegie is well represented as a Robber baron when he pursues Eli in an armored bank truck. When Carnegie is chasing Eli his greed forces him to cross a well represented Bolgias. In the Divine Comedy, the Inferno has these ditches called Bolgias, were the sinners are forced to stay for eternity and suffer. Also, hell has bridges that span the Bolgies,  Dante and Virgil use these bridges to cross hell on their journey. The Bolgias in the Book of Eli is shown as a dry riverbed that is spanned with a small bridge.  The waters of life are absent in the future, and the world is a dust bowl.

Since a broken bridge is shown in the Book of Eli movie we need to locate this reference in the Dante’s Inferno. Well in the Divine Comedy Bolgia 6 has a broken bridge.  Dante and Virgil have to enter the ditch to cross this circle, and they find Hypocrites. Who pretends to have virtues and ethical standards. The spirits here are punished for being liars and cheats. This is the very Bolgia Andrew Carnegie should reside in hell.

When Carnegie who has been destroyed by Zeus crosses the dry riverbed in the Book of Eli Movie, what he is doing is leaving his Bolgia. So he must die and soon a festering infection begins in his leg wound. Later when Carnegie shots Eli a lightning bolt is seen to jump across the sky, as a warning to anyone who attempts to kill the real life Prometheus. The punishment for killing the real life Prometheus, Cerberus ,Alex or for that mater Eli is burning to death. Later on in the movie Carnegie is mentioned as having a fever, and the sound of flies can be heard. This represents a real fire that they would in fact experience if killing Eli.

Many examples of Bolgias are shown in the movie; the one with a broken bridge has Eli watching the rape and murder of a couple and he does nothing to stop the incident. In hell, the underworld, this is what happens. Eli sees this as something people here in hell have brought upon themselves. In hell, when the music is over, you turn out the lights. There is no salvation; none will be found, given or offered, or received; once you bring out the shadows of darkness you will receive no mercy.

Lastly, I can explain the meaning behind the rock, punk, boy hanging in the closet who is wearing an eagle on his shirt. In the scene Eli takes his boots as his own. The government maintains political domination of the population by controlling the artistic elements that appear to be on the fringe or bottom of society but are in fact proscribed by the elitist powers. This would include Rock and Roll music and ghetto rap / hip-hop.  These media’s promote and suppress the world as a whole, and keep the world from becoming enlightened. They will need to be terminated in the future, if there is to be a future. In the movie, the Book of Eli the hanging Punk rocker is suggesting that the artists that perform socially degrading media, shall walk through the valley and shadows of death with Cerberus. In the end Cerberus will remove their boots, so they can not flee their Bolgias.

When you listen to the Who’s song Pinball Wizard from the Tommy album you hear the words “That deaf, dumb and blind kid / Sure plays a mean pinball!”. The deaf, dumb and blind kid is referring to Cerberus. Deaf so he cannot compose highest quality music, dumb so he cannot write the greatest literature and blind so he cannot make the greatest piece of art. Now, Cerberus hears something completely different he is listening; the words call him to come and take the boots and hang each one in a ditch, grave or Bolgias. This being his mission.

Bolgias book of eli

The Road Movie Review

•November 30, 2009 • Leave a Comment

The Road, is a movie that started as a novel in 2006 by an American writer Cormac McCarthy. The novel won the 2007 Pulitzer Prize award for Fiction. The film by the same name The Road was directed by John Hillcoat and written by Joe Penhall. The film stars Viggo Mortensen as the Man \ father and Kodi Smit-McPhee as the Boy \ son, a father and son surviving in a post-apocalyptic 2012 doomsday wasteland. Along the way, they encounter grave struggles and hardships avoiding bands of cannibals along the road. The 2012 doomsday apocalyptic event is showing the beginning of the next ice age and destruction of the northern grain belts outlined in the H2onE2 and H3onE3 books.

Within the movie common themes can be drawn between “The Road” and many other 2012 doomsday type movies, like the Pandorum movie. To truly understand this film and its deep suggestive 2012 doomsday material an understanding of the Greek Gods and Hesiod’s Theogony is a must. It is suggested that you read my write up on the Pandorum movie review first and better yet the H3onE3 book posted free online.

The first suggestive material worth mentioning is the earth quakes. The earth quakes are a verbal representation of thunder, noting the presence and work of Zeus. From Theogony Zeus the high god holds the understanding of earth’s environment and is empowered for one reason, he controls earth’s most powerful energy source, lightning and thunder. Because Zeus could control lightning he has conquered all the lesser gods in heaven. Also in Theogony it is documented that Zeus plans on destroying the current age of this population, “the Iron Age” like he destroyed all the previous ages of humanity. In the Road Cormac McCarthy is both describing, perpetuating and foretelling the destruction of earth’s current population; utilizing movie media to continue the biblical prophecy.

The biblical prophecy is important to understanding the movie the Road, it actually has a lineage that started with classical Greek mythology, and was modernized by the later Greeks with the creation of the Old Testament. This gave the classical Greek gods a more modern earthly presence. The Romans, seeing what the dyeing Greek Empire had crafted, created and promoted the works of the New Testament, designed to sacrifice the future king, Oedipus prophecy and riddle hidden in the Old Testament. The War of Religion was not over yet, because the last Greek cultural strong hold had one last card to play. John of Patmos fashioned Revelations as the final capstone of all the previous works and prophecies, which in short dooms mankind at the death of future Prometheus also known as Oedipus. Humanity is required by the prophecy to find and empower this none mythical character or they will become cannibals and on the Road of their own destruction.

When the suggestive thunder appears in the movie it is followed by an interaction with cannibals, future man. Here the movie director John Hillcoat is suggesting that Zeus has forced the environmental disaster and here the thunder / earth quake is confirming his work.  One of the thunder scenes, one that includes cannibals occurs when the young mother and child are killed by the large gang of hungry cannibals. This event is soon followed by a church scene where a painting of the Holy Grail at a Last Supper is shown. Here the movie director and writer is hinting that the Greek gods and their 2012 doomsday prophecy has been evolved into Linear Western Religion, both the Old and New Testaments. And, that the last supper and the offering of a body and blood sacrifice is in fact a cannibalistic act. This scene is telling the aware and educated members of the audience that the prophecy of the Greeks is the same prophecies in Christianity and they both end on the same road, The Road.

The second most important element in the movie pertains to the reference of Fire. In the mention of fire, here the movie takes on elements of the classical Greek story of Prometheus, who stool fire for the betterment of mankind. The boy turns out to represent a modern variation of Prometheus when his father epitomizes all of the Greek God Pathogen, in many different scenes. In the movie scene where the Man \ father swims through frigid rough water to search a partially sunken fishing boat offshore, he takes on the powers of Poseidon. The scenes where the two characters take refuge in caves the father takes on the reference of the god Hade; god of hell and the underworld. When the father picks his son up and runs from the cannibals he represents the Greek God Nike and when he is armed with an axe he represents Hephaestus, the Greek god of the Forge. Many scenes reflect back to the Man’s wife who is a representation of Aphrodite, the Greek Goddess of Love.  His wife’s death is never shown for one reason alone, because you cannot kill a god, at least not in the realm of myth and science fiction.

The story well outlines the two primary characters from the H3onE3 book; H3one3 Universal Facilitator, Universal Sacrifice and Holy Pi. The two hidden and prophesied characters in all media aka (music, literature, plays and movies) are both shown as Homeric Heroes and sometimes Sacrifices. It could be said that there is no Zeus or UF without a Prometheus a US, as in the understanding that a classical comedy plays against and with the understanding of a tragedy and vice versa. The two primary characters uncovered in the H3onE3 work are divine figures, mixed and blended in all Homeric media as a mechanism of population control. In the Road the Man represents the Universal Facilitator and the boy the Universal Sacrifice.

The Road references to fire as being in the hart, maybe the hart of humanity and being human and humane, when in contrast the opposing group, the cannibals are suggested as more animal; solely thinking of themselves. The mission of the boy and man turns out to be a mission of humanity, to carry the fire to the coast, symbolized in the Statue of Liberty in New York Harbor.

An interesting character appears in the movie called Eli or Ely played by, I believe an artificially aged Robert Duvall. Eli is a Hebrew name, which means High Priest and last of the Judges. (1 Samuel chapters 1-4) Eli served as the judge and high priest of Israel when The Ark Of The Covenant, contained the Ten Commandments. Although Eli was a good and righteous servant of God, he was unwilling to remove his “two” (UF and US) corrupt sons from the priesthood and this brought about his doom.

When the US and UF meet Eli an interesting geological formation is shown in the background. Clearly this geological rock formation demonstrates three erosional layers showing natures ability to end civilization but also the ages of man already ended by Zeus. Eli calls the US an angel and then later on, even more interesting a god.  Here the writer is playing both sides of the coin with an angel reference catering to Christianity and as a god respecting the original, evolved Greek pathogen. It is when Eli refuses to talk about his own child where his real identity is uncovered. Eli turns out to represent of a high god either Coronus or Zeus himself. Eli’s refusal to talk about his own child, this is the key to uncovering him as the high god, both Coronus and Zeus in Theogony are noted for eating their children. It is possible here the writer is suggesting that Eli representing Zeus destroys himself when he ends the Iron Age.

The Man the UF carries binoculars near his hart, this is because he has the ability to see the future and at his death the binoculars are taken or even passed on to his son the US. The binoculars are a metaphor to the ROAD humanity is on and being able to seeing the future, the end of the Iron Age. The prophecy will be forced upon humanity as a Revelation. Many references in the movie regurgitate a need to stay off the road, meaning that humanity survives by not continuing down the road, the same road, the road humanity is on.
(Click on a picture to enlarge it.)

Pandorum Movie Review

•November 30, 2009 • Leave a Comment

The movie Pandorum is a modern interpretation of the ancient Greek re-creation myth and updates the prophecy applied by the work of John’s scripture in Revelations. The movie explores the metaphorical end game, the re-creation of humanity and the primary characters for a struggle between good and evil. The first main protagonist is the Homeric “modern Prometheus” played by Ben Foster as Corporal Bower. He evolves through the narration into a contemporary of Oedipus the one, the savior. Bower is supported by few, other warriors, who combined to represent the magical 1,000 number, derived from the 100 Handers and the three Cyclopes.


The good characters are pursued by many monsters. In an allegorical depiction they are in fact hungry humans, now resorting to cannibalism to survive the harsh environmental circumstances. When man eats man they become monsters, less human and more animal or demon.This is why the monsters have human features and are only slightly altered on their surface, their skin to appear less human and more evil. The beasts also have horns projecting from their body structure which is a common theme held to underworld characters.  The Minotaur a man with the head of a bull was the first ancient horned beast of the underworld, Satan soon followed in cryptic literature.

The other distinct human feature missing from the monsters are their nose. The nose is often used as a  general media reference that differentiates people that know, or think they nose, the complete understanding of the real creation and recreation myths and those who don’t nose or don’t understand, Homeric media. Bob Dylan used a reference in his song “Just like a woman”, and it can be found in the line “and everybody Nose”. The nose is Freemason, Greek fraternity and general secret society gestures, it is similar in part to a secret hand shake.

The reason the monsters are so much faster and stronger than the humans is the fact that they are on a meat diet, Cannibals have a diet high in protein. Since they are not living off bugs or miscellaneous marginally digestible items, their strength is fare superior to that of the none participating humans.

Zeus is played by “Dennis Quaid as Lt. Payton” which appears as successful in destroying the “rusted” Iron Age. The Greeks said he would distroy the Iron age and here he has done it. In the movie Zeus exceeds in destroying the Iron Age but modern Prometheus, Bower was able to save 1213, this being the number given at the end of the movie.


First let us build off the story line as it appears to those unable to understand or “NOSE” its true meaning and literary evolution. Than we shall explore the Greek myth of Pandora, the first woman and her magic box / jar. Lastly an attempt will be made to uncover the nature elements and actions, which metaphorically represent the underlining meaning. Exposing the overwhelming details in the Pandorum movie are keys to it clearly epitomizing the end game or re-end game, the same story told in every religion both Eastern and Western; which is just slightly altered to make connection difficult.

Pandorum is a 2009 science fiction/horror film written by Travis Milloy and directed by Christian Alvart. The film stars Dennis Quaid “Payton” and Ben Foster “Bower” as the two primary protagonists. They are two astronauts who awake to find themselves drifting through space some 500 million miles from Earth. Payton and Bower awake from hibernation and suffer from memory loss. Soon they discover, they are the crew of a sleeper ship, transporting 16,000 passengers in deep hibernation.

Exploring the spacecraft, Payton and Bower encounter several other crew members and the astronauts learn that the survival of the human race is in question. This is aways the main theme of any re-creation or re-Genesis story. The other human crew members are ether hiding or being eaten by monsters. Here Payton and Bower learn that some humans have mutated from a genetic enhancement designed to help them adapt to life on a new world; the planet of their destination, “Titus”. It is stated that the drugs designed to help humans adapt to the Titus environment has mutated people into these monsters. And, these monsters like to eat humans.

Beyond the monsters, humans Payton and Bower also learn that some crew members are suffering from a psychosis, created from deep hibernation. This is a severe psychological condition diagnosed as Pandorum, brought about by being in deep-space for extended periods.

Here is an interesting image because Cam Gigandet playing the character Gallo is projected as four different people. Any image of four people turns out to be a apocalyptic reference and Pandorum turns out to be such a story.

The Pandorum movie is a literary evolution of Pandora the first woman “giver of all, the Eve of ancient Greek theology. As Hesiod related it, each god helped create Pandora by giving her one unique gift. Zeus ordered Hephaestus to mould her out of the Earth “Gaia” this being part of Prometheus punishment for stealing fire, now directed at mankind. All the gods of pathogen joined in offering this “beautiful evil” seductive gift to mankind.

Since all the Gods of ancient Greece had a hand in creating Pandora multiple references of different Greek gods do appear throughout the movie.  This is not just your average story of Zeus and Prometheus having at each other, Zeus of course always wins where by Prometheus un-able to die is sent to suffer.

Pandora’s other names, include Anesidora which might have a Roman origin. Considering that the Greek gods and stories also had Roman names and similar stories. Anesidora is inscribed as the name of Pandora figure in the British Museum, which means “she who sends up gifts,” and implying that “from below”, from within the earth or under the sea. So in atleast one Roman Pandora myth story she comes from the underworld from hell and not the heavens.

According to the Greek myth, Pandora opened a jar (pithos), in the more modern tale the jar is referred to as “Pandora’s box”. Some accounts have Pandora opening the container others it is suggested Epimetheus released the evils of mankind. Some of the particular evils include plagues and diseases, but were not specified in Hesiod’s detailed account. As the evils were escaping the jar / box hope remained locked inside. It is said she opened the jar out of simple curiosity and was not intended as a malicious act.

Pandora being the first woman could also be connected to being the first Queen and in one of the hibernation capsules a woman is shown with the name Rajni. In fact Ranji is Indian for Queen so here is an example of hidden understanding but only for the people who NOSE how to find it.

The myth of Pandora is ancient, and appears in several distinct Greek versions, and interpretations have found many literary evolutions; ending “maybe” in this grand climax Pandorum. In the seventh century BC Hesiod scripture, in Theogony mentions Pandora outright, at line 570, without naming her. However, there is an older mention of jars or urns containing both evils and blessings upon mankind and it can be found in Homer’s Iliad.

In Homer’s Iliad on the floor of Zeus’ palace there stand two urns, the one filled with evil gifts and the other with good ones. He for whom Zeus the lord of thunder mixes the gifts he sends, will meet now with good and now with evil fortune; but he to whom Zeus sends none but evil gifts will be pointed at by the finger of scorn, the hand of famine will pursue him to the ends of the world, and he will go up and down the face of the earth, respected neither by gods nor men. So Zeus points a figure at Prometheus because from Christianity will have learned well that there can not be a king without a sacrifice. This is like saying you can’t have rich people without poor people or the two could not be differentiated.

Since the basic story of Pandorum and the understanding of the Greek god Pandora has been constructed, now a deeper interpretation can be forged. Signs to uncover Pandorum as an interpretation of an end game, re-end game or an allegory to the prophecy in Revelations can be found. Some clues or keys come in the story theme; others are projected in the small but important details.

Let us begin the deep analysis with the sound, in the Pandorum movie the continual roar or rumble of the ships reactor core  thunders throughout the ship. Thunder is important because it comes with lightning, and lightning is what Zeus controls, in addition to the complete understanding of earth’s nature, environment and switching or re-creation cycles.

In fact, Zues works to hide the understanding of earth’s climatic changes, for this is how he controls the spiritual and celestial heavens. The thunder sound is the first hint that the Pandorum story is not about man leaving earth but surviving the catastrophic environmental switches; as in a Noah story, as in the Adam and Eve account and in Exodus.

Other elements that denote Zues’ control of lightning / thunder come from the Homeric mission engineered into the Pandorm story. Modern Prometheus” played by Corporal Bower clearly is involved in a mission to steal fire. In the original Prometheus story, he steals fire and is punished by Zues for his deeds. Prometheus never stole fire, the fire element is represented metaphorically as the power of lightning, the energy that empowers Zeus. Bower who is an engineer attempts to restart the ships reactor core. The reactor core takes on the spiritual significance to the power of lightning, now contained by man, not the gods. This major storyline follows the ancient Prometheus account of his actions of stealing fire but updates and modernizes the story into sci-fi.

At the point when Bower’s character asks Lt. Payton “Dennis Quaid” for directions to the reactor core, here is the first sign presented that Payton is actually representing Zeus. In turn Payton provides no assistance when earlier Payton was completely able to rapidly extrapolate navigation through the earth ship, the maze or Labyrinth. At this point Payton is shown locked to the control panel as Zeus suffering from psychosis. In the movie although not well detailed it is suggested even that Payton has possible steered Bower away from the the reactor core. This would be Zeus protecting his power which controls his ruler ship over humanity.

Payton representing Zeus from this point on appears now to be a psychotic character bent on destroying the “rusted” Iron Age and as the story plays out succeeds in this genocide. When Corporal Bower finally restarts the reactor core Lt. Payton is suddenly illustrated as Zeus a later image is than provided of lightning bolts shooting from his head. Modernizing the Prometheus story, Payton now fully represents the homicidal Zeus, awaken to the fact that Bower now fully epitomizes Prometheus and has stole fire from the gods.

Corporal Bower is referred to as the boy scout from here on out, which is a way to bring the legend of Oedipus into the story. The Oedipus connection is extrapolated by Bower being an unlikely hero, savior or sacrifice, not physically or mentally able to overcome against all odds. The “Three Little Indians riddle was later weaved into the movie similar to further make the story into an Oedipus-ethan like story.

NOTE the “Three Little Indian Story” and images are all included at the bottom of the page for you to solve if you are interested. I did not explore the long / stretched or short words of the “Three Little Indians” ryme but felt it might be so Morse code in there. It just seemed that some words were long others made strangely short.

In the movie the monsters are represented as eating humans, when in fact they embody the portion of the human population, which survives or subsists through a climate switch by cannibalizing its own population. The time when man shall eat man, told in the Greek stories of creation, carried through into Linear Western Religion and finally vomited to attention in the Pandorum movie.

Bower carries a non lethal weapon because he does not want to kill the represented humans and certainly not their children. Bower or Prometheus is not homicidal, unlike Zeus which appears bent on destroying humanity and nearly all biological life. Zeus should be considered, the god of extermination and suffering, evil to the core and beyond.

The classic Four Horsemen materialize as Ben Foster playing Bower, Antje Traue as Nadia, Cung Le performing as Manh and finally Eddie Rouse portraying Leland. Nadia is denoted as Pandora, when Manh embodies the connection between the western and Asian religion. This is demonstrated by Manh presences or appearance but he speaks no English. So the connection between western and Asian religion exists but the connection cannot be easily made in Pandora ’s Box. Although Manh clearly demonstrates a 100 Hander with his fast hands and fighting ability.

Eddie Rouse portraying Leland which clearly demonstrates an ancient Greek Cyclopes in body and actions. To the ancient Greeks tales Cyclopes lived in caves, an underworld, hell and often ate humans. Leland plays the role of a Cyclopes where he lives in a circle cave, a trap and survives off eating humans. Leland is only convinced to help and join the party of three as the fourth member when he is told, the end is near. The final clue to Leland representing a Cyclopes is provided at the end when Dennis Quaid stabs him in the eye. This ending is his punishment for surviving off humans as a cannibal. Suggesting that even Zeus punishes people for being wicket.

Zues the high god is represented as having a dual persona at the point when Cam Gigandet playing the Gallo character merges physically with Lt. Payton. It is unclear where this literary evolution comes from but seems to be an important element of the prophecy. The duality might symbolize a psychological struggle within Zeus between being both good and evil. Although, when combined it appears Zeus is utterly empowered by wickedness.

As it turns out, Bower the modern Prometheus is not threatened by Zeus but the human population which is brutal, and lacks understanding, compassion and moral direction. Most of the humans are represented as a modern interpretation of Zombies in appearance and achievements, only capable of barely surviving through self consumption. It could be thought that when man eats man they become horrible monsters and this is why they appear in this fashion. In the end Payton / Zeus reveals to Bower the location of the spaceship which is Zeus, now illuminating to his environmental knowledge. This event takes place when Zeus opens the earth ship cockpit shields. So here Zeus is uncovering environmental knowledge he knew or NOSE from the start of the movie.

The environmental knowledge disclosed by Zeus turns out to be that the ship is in fact not in space but in an ocean, on a planet very similar to earth. In metaphor the ship never left earth but it is a vehicle to survive the biblical climate switch. Bower and Payton struggle for control, as in a battle between Zeus and Prometheus. During this struggle between good and evil a cockpit window is damaged. The crack now in the virtual window, to the brave new world brings forth a “Noah” flood into the cockpit and water runs forth like wine. Bower now assumes the role of Adam and Nadia is thrust into the role of Eve, as in the Garden of Eden account. Together they escape in a hibernation pod.

Before moving on to the end take one more look at the hibernation pod because meaning can be extracted in its physical appearance. Gaze into the window of life, the eye of the world and see the escape pod porthole, it is in the shape of a religious cross. The Christian cross now represents that here a prophecy is made and can be followed through western scripture. The hibernation pod physical represents Pandora’s Box or jar in its original reference. The escape pod is now represented as a tool used to continue humanity.

As the escape pod is ejected from the earth ship it now represents the ancient Greek Pandora Jar full of both good and evil. The good and evil has always been a human reflection but here in conclusion “HOPE” is now released; after HOPE was contained since the beginning of time. HOPE never escaped the box when it was first opened by Pandora and here in the movie HOPE is now released. Humanity might still have a future, earth might have a new name but it might not be destroyed; who NOSE. To survive the journey to the surface Bower gives Traue the oxygen mask. Since Traue character is representing Pandora the giver of all, the first woman she can die from human conditions.

Pandora is now Anesidora as in the figure described in the British Museum, “she who sends up gifts,” and implying that she emerges “from below”, from within the earth. Bower who now fully represents the Greek god, the modern Prometheus is not human anymore and cannot be killed from human circumstances and freely provides Traue the mask of Oxygen, in this act he saves her and humanity.

It is undetermined if Zeus dies or leaves Payton’s body in spirit before a flood of water appears to overcoming him. Payton played by Dennis Quaid assumes a crash position. This is the position demonstrated as used to survive a plane crash. Since Zeus often is represented as an eagle here the pilot and navigator Payton seems to intentionally fall on his sword.

Since a god cannot kill a god, it appears here Zeus finds himself internally as unstable, psychotic, homicidal and genocidal, in a final triumph of the rule of Zeus, he executes his own death and commits himself to the underworld.

An additional interpretation can be made with Zeus forcing his own death. It is possible to allude to the fact that Zeus can not destroy Prometheus because he continues to exist and live on in humanity as HOPE, or the embodiment of HOPE. Since Zeus cannot out right destroy Prometheus he attempts to destroy himself, and as such is the key to destroying Prometheus. As Zeus attempts to kill both himself and Prometheus Pandora chooses which god should live and together they escape the underworld, the deep ocean. Most-likely here I am drawing too much into a story I care too little about; who NOSE.

After the pod reaches the surface, Bower and Traue are alone and in a vast untamed Garden of Eden, recreating the ancient creation myth stories. This event simulates the account of Prometheus where he gives birth to humanity. Bower’s action of breaking the window ejects the remaining escape pods. Suddenly, as in a virgin “Gaia” type birth other escape pods begin to pop out of the ocean and Bower and Traue playing Adam and Eve, find they are not alone anymore. They along with the others are floating in their personal arks replicating the Noah story.

In the movie, the number 1213 survivors is provided, this number might have multiple significance. The number 12 clearly represents the two sets of twelve high gods of Greek mythology, the 12 Titans and the 12 Olympians.

The Christian religion has 12 disciples because it is an evolution of the Greek gods.  Jesus Christ would represent the 13th disciple.  The number 13 represents the Rome re-interpretation of the Greek gods, a precursor the the 12 disciples plus one Jesus. Demonstrating that there are 1213 survivors is communicating the ancient re-creation myth with the number 12, representing the survivors and 13 being their new god.

Finally here the discovery of the modern 1213 survivors can be extrapolated from the modern metaphors implied in the Pandorum movie. The 1213 number must also embody the 100 Handers, the humans and three Cyclopes that align themselves with the modern Titian Prometheus.

That is right, Zeus is an Olympian and the leader of the 12 high Olympian gods. Prometheus is a Titan one of the 12 original Titans so the name Tanis must represent a new earth now ruled by Titans and Prometheus.

Pandorum is a story of a ku de ta an over throw of the current leadership of earth and the human gods.

This being the case, the 1213 survivors now materialize on a new world, the same world but absent of the controlling gods. Here at the end a new name is given to this brave new world and it is Titus, controlled now, by the Titian Prometheus. So here the death of the 12 Olympians is foretold and it comes with a re-birth of the Titans from deep within the earth well, well demonstrated in the Pandorum movie.

Leland’s Riddle: Three Little Indians

Boom Oh as the whole world cheered,

From the thunder of earth’s mightiest creation,

Alysime, one s mall spark,

To ignite the heavens,

For the heroes,

To venture farther and farther than anyone in mankind to choose,

And we slept, we slept a slumber so deep,

That no one had did before,

As the little Indian were left minding the store,

Mother earth’s final call

All of god’s creation ending with mere words of encouragement,

Message ->Your all that’s left of us, good luck, God bless, and God Speed,

Three Little Indians with a burden to bear,

No more law nothing of the care,

Just three whose soles and destiny has become,

Because there was chop, chop, chop, chop, chop, chop, chop

Then there was only one,

One little Indian left,

One little Indian left alone with all his doom,

He refused to go to bed so what does he do,

He decides to stay up and play in his room,

What nasty little games he would play,

With a sobering gray,

He was (slayer o/r slave) he was master, he was both,

God and the devil,

That is what some would say,

He would grow to manhood,

A self proclaimed king,

Master of his own vessel,

Home to his own sin o/r city,

He just cast out all that behaved,

To exile in the cargo hold to fend ammos themselves,

And scavenge and feeding off their own,

Evil grow the king no longer wanted to play,

So he returned to his bed of slumber,

And while the king slept a whole new world of (evil o/r Eve) grew,

As we wept




Here is a link to a blog that adds additional details about the Pandorum movie.

http://onedeviousbastard.blogspot.com/2011/07/movie-analysis-symbolism-in-pandorum.html

It was written by http://www.youtube.com/user/OneDeviousBastard

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•November 30, 2009 • 1 Comment

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